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الثلاثاء، 26 مارس 2019

The Ambiguous Layers of Martha Graham’s ‘El Penitente’

By 1940, the year of this neo-primitivist masterpiece (which returns to repertory and the Joyce), Graham’s company had something new: 2 male dancers.

from NYT > Dance https://ift.tt/2UdqoL4

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